Short review - Page 29

Lessons Learned, Vision Clear arrives as a confident and carefully shaped statement from Grey & Purple Songbook, a project rooted in Oslo but clearly oriented beyond any single geography or scene. Built at the intersection of jazz, disco, and groove, the single unfolds with an immediacy that feels welcoming rather…

With Stupid Games, Kitbuilders return with a release that feels both archival and immediate, carefully stitching together different phases of their long-standing trajectory into a single, cohesive statement. The Cologne-based duo—singer Ripley and keyboardist Benway—have always operated in a space where electro, new wave, and IDM overlap without fully settling…

There is a particular kind of glow that surrounds Electric Moon, the new single by LiMaVii, and it doesn’t announce itself loudly. It hums. It lingers. Released on February 8, 2026, the track finds the Gdynia-born artist refining her approach to electronic pop by stripping away excess and leaning into…

There is a particular gravity to Canto Ostinato, a sense that once it begins, time loosens its grip. In the hands of Metropolis Ensemble, Erik Hall, and Sandbox Percussion, Sections 74–87 unfold with a patient authority that feels both faithful and quietly transformative. Simeon ten Holt’s landmark minimalist work has…

There’s a particular light that hits late in the afternoon, when the day feels suspended and nothing urgent can quite reach you. “[Ai]n’t Real” seems to chase that exact shade on Golden Rays, a dance pop single that moves with ease but never drifts into autopilot. It’s playful on the…

There is a certain restraint in “Saving Me” that immediately sets the tone. The collaboration between CEAUS and MONTE doesn’t rush to impress; instead, it unfolds with patience, allowing its emotional core to surface gradually. Rooted somewhere between breakbeat textures and progressive house drive, the track navigates vulnerability without losing…

Released under the GOTTA MOVE banner, “KODAK” sees ero808 and NXSTY locking into a sharply defined UK garage framework while allowing their individual identities to bleed through the cracks. The result is a track that feels both engineered for movement and slightly unhinged in mood, as if the dancefloor lights…

Deadlynoiz and $IAH join forces on Send Em To Misery, a dubstep release that moves with calculated aggression and a sharp sense of sonic architecture. Built around a dense low-end framework and punctuated by metallic textures, the track unfolds with a deliberate tension that rarely loosens its grip. It is…

BENDA and Fourfive’s latest release, LEANGUT, lands with the kind of physical weight that defines contemporary festival dubstep while still carving out its own tonal identity. Released via Bassrush Records, the track feels engineered for large systems and open-air stages, yet it retains a precision in its arrangement that rewards…

FellowFeel returns with Shadows and Lies, a second full-length statement that deepens the project’s fascination with ambiguity, atmosphere and psychological space. The release moves confidently within the borders of electronic and downtempo, yet it rarely settles into predictable terrain. Instead, it unfolds like a half-lit corridor: quiet, deliberate, and charged…

Alice Okada’s chapter one: the beach episode arrives as a carefully framed first statement, an album that feels less like a debut in the traditional sense and more like the opening chapter of a longer narrative already in motion. Rooted in electronic and breakbeat traditions, the record draws openly from…

SLAPPER’s Into the Light arrives as a natural continuation of a path that has been unfolding patiently, almost quietly, over several years. Positioned after the album Hope (released in November 2025), the single does not attempt to reinvent the project’s language, but rather refines it, focusing on atmosphere, emotional pacing…

“LoveRise” by Jimi C & The Waves arrives with the quiet confidence of a track that knows exactly what it wants to be. Positioned between deep house and commercial vocal dance, the single doesn’t rush to impress through excess. Instead, it unfolds gradually, guided by a clear emotional direction and…

Anana Kaye’s There Is A War arrives with the quiet confidence of a work that knows exactly where it stands, both historically and emotionally. Rather than treating Leonard Cohen’s song as a sacred object or a nostalgic exercise, Kaye approaches it as living material, something elastic and responsive to the…

Komok’s Quasi-Human[e] arrives as a carefully weighted introduction to the wider universe of Protopia, setting out its coordinates with restraint rather than spectacle. Mid-tempo and instrumental, the track unfolds at 115 BPM, moving with a deliberate, almost meditative pulse that resists the logic of peak-time club dynamics. Instead, it positions…

Deadlynoiz’s “The Underground” positions itself squarely within the deeper, more physical side of contemporary dubstep, leaning into texture and pressure rather than overt spectacle. From the opening moments, the track establishes a sense of intent: this is not a release built for instant gratification, but one that unfolds patiently, drawing…

Autotel’s Fatal receives a thoughtful reworking through the hands of Analept, resulting in a remix that feels quietly confident rather than overtly transformative. Rooted in downtempo and IDM, this version reframes the original material with patience and an ear for detail, allowing subtle shifts in rhythm and texture to do…

Ratfink!’s WHEN U WERE MINE arrives with the kind of backstory that already tells you how it’s going to sound: imperfect, intimate, slightly chaotic, and proudly human. Recorded with minimal gear and maximum intent, the album doesn’t try to disguise its DIY origins. Instead, it leans into them, letting texture,…