“in the city” is the standout focus track from HARLEY GIRL’s freshly released EP legitimate dj behaviour, a four-track statement of intent that positions the Melbourne-based artist at the cutting edge of today’s tech house landscape. Featuring the vocal work of Hey Baby, this track exemplifies HARLEY GIRL’s distinct approach to rhythm, groove, and club-centric production.
From the first beat, “in the city” wastes no time establishing its percussive authority. The rhythm section is taut, minimal, and incredibly effective—driven by a syncopated, snappy kick and crisp hi-hats that keep the energy moving forward. The groove is hypnotic and locked-in, effortlessly navigating that sweet spot between warehouse-ready and radio-friendly.
The synth design elevates the track further: metallic stabs punctuate the mix with mechanical precision, while warped vocal chops and atmospheric pads expand the sonic space. There’s an industrial sheen to the textures—clean, deliberate, and fully in service of the track’s forward momentum. The breakdowns are well-paced and functional, creating enough tension to make the drops all the more satisfying.
Hey Baby’s vocal contribution is subtly processed, adding a human touch without breaking the immersive club feel. Rather than dominating the mix, the vocals function as another rhythmic layer—blending seamlessly with the production and enhancing its hypnotic atmosphere.
Overall, “in the city” is a confident, high-quality release that showcases HARLEY GIRL’s production precision and artistic direction. As part of legitimate dj behaviour, it cements her place among a new wave of genre-bending producers, sitting comfortably alongside names like DJ ADHD, Mura Masa, and Nikki Nair. We’re proud to feature this release on our webzine.