With Turn All The Lights On, New York City-based artist Alwyn Morrison delivers a dazzling new single that reaffirms his position as one of 2025’s most compelling new voices in commercial pop and dance. Following the remarkable success of his breakthrough single Chained—which secured a spot at #44 on Mediabase and garnered over half a million weekly impressions—Morrison returns with a release that expands his sonic palette, balancing guitar-driven rock elements with infectious pop energy and a vibrant dance rhythm.
From the very first beat, Turn All The Lights On sets an energetic tone, driven by a rhythmic foundation that pulses with urgency. The percussion carries a crisp, club-ready intensity, layering punchy kick drums with syncopated hi-hats that propel the track forward. This rhythmic dynamism immediately situates the song within a commercial pop and dance framework, yet Morrison enriches it with a strong rock sensibility, ensuring the track resonates beyond traditional genre boundaries.
Synth textures play a crucial role in shaping the song’s atmosphere. Glimmering pads create a luminous backdrop, while arpeggiated synth lines weave through the verses with subtle complexity, evoking a sense of emotional tension that reflects the track’s lyrical journey from heartbreak to renewal. The electronic elements never overwhelm; instead, they blend seamlessly with the live instrumentation, creating a layered, polished production that feels both immediate and expansive.
At the song’s core lies Morrison’s vocal performance—soaring, dynamic, and delivered with an intensity that commands attention. His phrasing balances vulnerability with confidence, embodying the dual narrative of love lost and self-discovery. The lyrical references to icons like Britney Spears and Whitney Houston add a playful dimension, situating the song firmly within pop culture while deepening its emotional resonance.
The guitar work provides the track’s most striking contrasts. Electric bass and rhythm guitar establish a rock-and-roll backbone, grounding the track in raw energy, while the electric guitar finale—performed by Michael Carey—erupts with a sense of release after the bridge. This section heightens the tension built throughout the song and serves as a cathartic payoff, ensuring the track never loses its edge amidst its polished pop production. Pianist Harlan Hodges adds an additional layer of sophistication, his contributions enriching the harmonic depth and complementing Morrison’s vocal delivery with warmth.
Production from Michael Carey and mixing by Alex Aldi are sharp, balanced, and meticulously detailed. Every element finds its place in the soundscape: the drums punch without overshadowing, the synths shimmer without drowning the guitars, and Morrison’s vocals remain front and center. This sonic precision amplifies the track’s commercial appeal while preserving the emotional intensity that defines Morrison’s artistry.
Accompanying the release is a visually dynamic music video, co-directed by Morrison and cinematographer Viken Kazandjian, which mirrors the track’s themes of diversity, resilience, and joy. Its celebration of people from all walks of life—ranging in age, identity, and background—extends the single’s message of inclusivity and empowerment beyond the music itself.
Ultimately, Turn All The Lights On stands as a bold, high-quality release that bridges commercial dance energy with rock-driven authenticity. It is a song that invites listeners onto the dancefloor while offering a narrative of personal strength and rediscovery—an anthemic addition to Morrison’s catalog and an undeniable highlight of his debut EP Heartsplit.